Feeling Exposed.

There’s a small window of time each month when the gazes of Sol and Luna are at rest, allowing me to become particularly mischievous.

Cover image for coachellamagazine.com interview. Photography by Jorge Perezchica

Cover image for coachellamagazine.com interview. Photography by Jorge Perezchica

This season’s solo exhibit has provided me with a strong dose of exposure, both outward and inward.

Outwardly, I’ve connected with a great many like minded and creative people. So refreshing, so illuminating. Four articles came out discussing my work, amplifying my voice to be heard within my community. In the month running up to the opening of the exhibit, Linda Stoddard graciously wrote an article for our local newspaper, The Desert Sun, allowing me a chance to entice people to come see the work of a local artist they had likely never heard of before. Shortly afterward, Christine Lang volunteered a similar article for The La Quinta Arts Foundation to help broaden awareness of my work and the exhibit.

Imagine my excitement when another very talented local artist, Luna Fora, filmed, edited and featured a video interview of me and The Suboken Project on coachellamagazine.com (somewhat surreal to watch myself in that format). One of the most satisfying experiences this opportunity gave me was participating in an interview with Kate Buckley for her blog on palmsprings.com. Kate really dug in to uncover the philosophy and inspirations that fuel my creativity.

And the exhibit isn’t even over yet! My heartfelt gratitude to Deborah for your enthusiasm and championing of my artwork.

Looking inward, the exhibit afforded me a chance to explore how The Suboken Project has influenced my creativity and productivity, and what it might offer me moving forward. For the first time, I sought out curious and enthusiastic individuals to participate in creating art. To Calista, Micheal, Brenda, Chris and Kannon, working along side you, I was able to explore my process, and explore the dilemma of authorial intent from a more objective perspective. I can only hope that the experience enriched your lives as well. Thank you for jumping into the chaos. You are welcome to come art with me anytime.

To the universe I say, there is much more to come. I hope you’ll join me.

Hello 2014, can you come out and play today?

Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

continued from part 1

A Series Of Dilemmas

“Cartographers use an illustrative short-hand to describe geographical features of the real world. This short-hand form of communication is designed to allow the viewer to have an easy baring on the contours and layout of the area depicted on the cartographer’s map. Exaggerated color palettes, lines of various weight and solid fields of color all act as simplified yet concise forms of communication informing the map viewer of the geography depicted. Instead of focusing on the actual details of the full terrain, the user of the map can rely solely on the map to find her way around the area.
“Spoken and written language serves as a way to describe the real world as well. Words are used as a concise method to describe all the vast facets and features of the world and the ways in which we interact with and within it.
“However, are words also just another form of short-hand, simplifying or exaggerating how we see the real word? A culture’s vocabulary has such a huge impact on how it’s members regard the world in which they live. Could it be that the more complex and sophisticated our lexicon becomes, the more removed we are from simply seeing the real world?”

– as described on suboken.com

The ideas and dilemmas philosophy introduced me to were the perfect concepts for me to explore through my art. Creating art wasn’t about making a thing, it was about exploring an idea. Visual art in particular become a new voice through which I could explore the world. During the process of building The Cartographer’s Dilemma (TCD), the individual elements became metaphors of the different aspects of the theme I was tackling. With regard to the completed piece, the more refined the artwork was aesthetically, the clearer the question posed by the artwork’s concept became.

Continue reading