Feeling Exposed.

There’s a small window of time each month when the gazes of Sol and Luna are at rest, allowing me to become particularly mischievous.

Cover image for coachellamagazine.com interview. Photography by Jorge Perezchica

Cover image for coachellamagazine.com interview. Photography by Jorge Perezchica

This season’s solo exhibit has provided me with a strong dose of exposure, both outward and inward.

Outwardly, I’ve connected with a great many like minded and creative people. So refreshing, so illuminating. Four articles came out discussing my work, amplifying my voice to be heard within my community. In the month running up to the opening of the exhibit, Linda Stoddard graciously wrote an article for our local newspaper, The Desert Sun, allowing me a chance to entice people to come see the work of a local artist they had likely never heard of before. Shortly afterward, Christine Lang volunteered a similar article for The La Quinta Arts Foundation to help broaden awareness of my work and the exhibit.

Imagine my excitement when another very talented local artist, Luna Fora, filmed, edited and featured a video interview of me and The Suboken Project on coachellamagazine.com (somewhat surreal to watch myself in that format). One of the most satisfying experiences this opportunity gave me was participating in an interview with Kate Buckley for her blog on palmsprings.com. Kate really dug in to uncover the philosophy and inspirations that fuel my creativity.

And the exhibit isn’t even over yet! My heartfelt gratitude to Deborah for your enthusiasm and championing of my artwork.

Looking inward, the exhibit afforded me a chance to explore how The Suboken Project has influenced my creativity and productivity, and what it might offer me moving forward. For the first time, I sought out curious and enthusiastic individuals to participate in creating art. To Calista, Micheal, Brenda, Chris and Kannon, working along side you, I was able to explore my process, and explore the dilemma of authorial intent from a more objective perspective. I can only hope that the experience enriched your lives as well. Thank you for jumping into the chaos. You are welcome to come art with me anytime.

To the universe I say, there is much more to come. I hope you’ll join me.

Hello 2014, can you come out and play today?

Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

continued from part 1

A Series Of Dilemmas

“Cartographers use an illustrative short-hand to describe geographical features of the real world. This short-hand form of communication is designed to allow the viewer to have an easy baring on the contours and layout of the area depicted on the cartographer’s map. Exaggerated color palettes, lines of various weight and solid fields of color all act as simplified yet concise forms of communication informing the map viewer of the geography depicted. Instead of focusing on the actual details of the full terrain, the user of the map can rely solely on the map to find her way around the area.
“Spoken and written language serves as a way to describe the real world as well. Words are used as a concise method to describe all the vast facets and features of the world and the ways in which we interact with and within it.
“However, are words also just another form of short-hand, simplifying or exaggerating how we see the real word? A culture’s vocabulary has such a huge impact on how it’s members regard the world in which they live. Could it be that the more complex and sophisticated our lexicon becomes, the more removed we are from simply seeing the real world?”

– as described on suboken.com

The ideas and dilemmas philosophy introduced me to were the perfect concepts for me to explore through my art. Creating art wasn’t about making a thing, it was about exploring an idea. Visual art in particular become a new voice through which I could explore the world. During the process of building The Cartographer’s Dilemma (TCD), the individual elements became metaphors of the different aspects of the theme I was tackling. With regard to the completed piece, the more refined the artwork was aesthetically, the clearer the question posed by the artwork’s concept became.

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Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

The Cartographer's Dilemma

The Cartograper’s Dilemma

I’ve written how hesitant I am to explain the art pieces I create. However, this past year I have become more comfortable participating in conversations about my work.

While being on-hand during the hanging of the current show, I enjoyed a spontaneous conversation with Abel Floris, owner of Desert Signs and Graphics, and the artist responsible for creating the vinyl lettering for the exhibition. He was curious about my process; in particular how I came to create The Cartographer’s Dilemma (TCD). I summed up the amount of work that goes into each TCD sculpture into a few sentences. I wasn’t trying to be deliberately coy, I was simply eager to hear more of his thoughts on the pieces currently hanging in the show.

After my brief answer, however, Abel replied with a comment that arrested me with enthusiasm. I can’t recall his exact words, but the gist of his comment went something like, “…and just like that, you came up with the idea for the piece.” It wasn’t just the explanation on the concept behind the artwork that he was looking for, but the journey behind reaching the final presentation!
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Hanging The Exhibit

Today was the second day hanging the show. I knew I had dropped off a good number of art pieces for the exhibit, forty-two pieces to be exact. (I’ll steal a smile with Douglas fans, and don’t forget to bring a towel.) But walking into the space this afternoon with almost everything now hung on the walls made this whole adventure all the more real.

The moment that shifted my perspective was when these letters were revealed on the wall.

ImageThe show opens tomorrow, but here’s a sneak peek at some of the work featured in the exhibit.

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If you noticed that The Cartographer’s Dilemma is mysteriously absent from this post, there’s a reason. It’s in the show, but there’s something additional involved in its presentation. I’ll leave you with a coy hint, an update is long over due for The Cartographer’s Dilemma page on the website.

Speaking of web updates, our local newspaper wrote up an article on yours truly. You can give it a read online at: http://www.mydesert.com/article/20131114/LIFESTYLES0104/311140006/

Updates from the Studio

The Suboken Project has been producing in full force over the past couple months. An eagerness to get things back on track after the loss of the Drobo hard drives has fueled my efforts in finishing up current projects as well as creating new work. So, shall we visit with an update on what Suboken has been doing?

The November gallery show at the Palm Desert City Hall is right around the corner. There’s a healthy amount of work left to get ready for the show, but I’m on schedule, and that’s a huge comfort for Calista and me. The show will feature pieces from The Cartographer’s Dilemma sculpture series, as well as the entire collection from In A Place: Series Two.
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