Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

continued from part 1

A Series Of Dilemmas

“Cartographers use an illustrative short-hand to describe geographical features of the real world. This short-hand form of communication is designed to allow the viewer to have an easy baring on the contours and layout of the area depicted on the cartographer’s map. Exaggerated color palettes, lines of various weight and solid fields of color all act as simplified yet concise forms of communication informing the map viewer of the geography depicted. Instead of focusing on the actual details of the full terrain, the user of the map can rely solely on the map to find her way around the area.
“Spoken and written language serves as a way to describe the real world as well. Words are used as a concise method to describe all the vast facets and features of the world and the ways in which we interact with and within it.
“However, are words also just another form of short-hand, simplifying or exaggerating how we see the real word? A culture’s vocabulary has such a huge impact on how it’s members regard the world in which they live. Could it be that the more complex and sophisticated our lexicon becomes, the more removed we are from simply seeing the real world?”

– as described on suboken.com

The ideas and dilemmas philosophy introduced me to were the perfect concepts for me to explore through my art. Creating art wasn’t about making a thing, it was about exploring an idea. Visual art in particular become a new voice through which I could explore the world. During the process of building The Cartographer’s Dilemma (TCD), the individual elements became metaphors of the different aspects of the theme I was tackling. With regard to the completed piece, the more refined the artwork was aesthetically, the clearer the question posed by the artwork’s concept became.

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Discovering a Visual Shorthand: The Making of The Cartographer’s Dilemma

The Cartographer's Dilemma

The Cartograper’s Dilemma

I’ve written how hesitant I am to explain the art pieces I create. However, this past year I have become more comfortable participating in conversations about my work.

While being on-hand during the hanging of the current show, I enjoyed a spontaneous conversation with Abel Floris, owner of Desert Signs and Graphics, and the artist responsible for creating the vinyl lettering for the exhibition. He was curious about my process; in particular how I came to create The Cartographer’s Dilemma (TCD). I summed up the amount of work that goes into each TCD sculpture into a few sentences. I wasn’t trying to be deliberately coy, I was simply eager to hear more of his thoughts on the pieces currently hanging in the show.

After my brief answer, however, Abel replied with a comment that arrested me with enthusiasm. I can’t recall his exact words, but the gist of his comment went something like, “…and just like that, you came up with the idea for the piece.” It wasn’t just the explanation on the concept behind the artwork that he was looking for, but the journey behind reaching the final presentation!
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Hanging The Exhibit

Today was the second day hanging the show. I knew I had dropped off a good number of art pieces for the exhibit, forty-two pieces to be exact. (I’ll steal a smile with Douglas fans, and don’t forget to bring a towel.) But walking into the space this afternoon with almost everything now hung on the walls made this whole adventure all the more real.

The moment that shifted my perspective was when these letters were revealed on the wall.

ImageThe show opens tomorrow, but here’s a sneak peek at some of the work featured in the exhibit.

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If you noticed that The Cartographer’s Dilemma is mysteriously absent from this post, there’s a reason. It’s in the show, but there’s something additional involved in its presentation. I’ll leave you with a coy hint, an update is long over due for The Cartographer’s Dilemma page on the website.

Speaking of web updates, our local newspaper wrote up an article on yours truly. You can give it a read online at: http://www.mydesert.com/article/20131114/LIFESTYLES0104/311140006/

LEGO Trophies: Year Three

This past Saturday, I had another great time being part of SMaRT Education’s FIRST LEGO League tournament. This year I was able to once again referee on the competition floor. However, hats often change heads as the tournament progresses, and this year I found myself filling in as emcee as well.

But, I get the feeling that’s not why you’re here, is it?

Oh, right! This year, I once again designed and built custom LEGO trophies for the winning teams.

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Updates from the Studio

The Suboken Project has been producing in full force over the past couple months. An eagerness to get things back on track after the loss of the Drobo hard drives has fueled my efforts in finishing up current projects as well as creating new work. So, shall we visit with an update on what Suboken has been doing?

The November gallery show at the Palm Desert City Hall is right around the corner. There’s a healthy amount of work left to get ready for the show, but I’m on schedule, and that’s a huge comfort for Calista and me. The show will feature pieces from The Cartographer’s Dilemma sculpture series, as well as the entire collection from In A Place: Series Two.
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Letting Go.

For the past month, I’ve been hoping I wouldn’t find myself writing this post. However, after four weeks of technical consultation, today I received a text message that made my heart sink.

All of my digital media has been lost.

A major component to my digital studio is my external storage device. I use a product called Drobo.

Drobo
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The LEGO Infiltration.

Since April, production on new artwork, music and writing has been locked in overdrive. So much so that about two weeks ago I finally hit a creativity levee. Calista and I had so many things on our plates that, for my part, something had to give.

However, the factors that have been pulling my attention in different directions are 100% positive.

Factor One: An Old Friend Returns.

A great friend of mine, Tyler Maxey, landed back in town for a brief time. He and I were philosophy students at the same college, and it was great to have him hang out with Calista and I, waxing philosophic about life, health, the universe, careers and entertainment. The three of us went on many hiking adventures before the summer heat finally baked us into staying indoors. A highlight of our adventures was spending one Saturday morning bombarding our senses with sonic frequencies.

Painted Canyons Painted CanyonsPalm Desert: 6:25am 97°
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I’m not much of a new-age soul, but the experience was well worth the drive to Landers, CA.

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A Suboken Project Special Report

We hope you can join us on November 25th, 2013, at the Palm Desert Community Gallery for the opening reception of a two month solo exhibit featuring The Suboken Project’s: The Cartographer’s Dilemma and In A Place: Coachella Valley.

The exhibition runs from November 25th through January 21st. Gallery hours will be from 8:00am until 5:00pm Monday through Friday. Calista and I are hoping to organize a couple of artist talks during the show’s run for anyone interested in touring the exhibit with Suboken (that would be me), and share in a conversation about the process and themes featured in both projects.
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